Clearaudio record ring
Θα ετοιμαστεί και ιστοσελίδα στα Ελληνικά... Written by Christos P. Skaloumbakas / 11 Mar 01
(This is the first presentation of this accessory worldwide)
Presentation

Clearaudio is a well known name in the analogue domain of the international hi-end business. They are the first in manufacturing exotic cartridges and their top model, the "insider reference" is regarded as the best cartridge available, with a clear difference from the second one which may be the Clearaudio 'insider' or the VdH 'colibri'.

So, it is not strange that they have designed such an accessory since top cartridges demand flat records to sing. You can not drive ("feel") a Ferrari on a country road !!!. And record collectors do not have only HQ. records...

platter & record & ring...
platter & record & ring...
Stalus starts reading the groove above the ring...
Stylus starts reading the groove above the ring...
On the left photograph, you get the idea how the ring is sited on top of the record.

On the right one, you see a close-up of the small thickness of the ring, sited and pressing the outer diameter of the record, not disturbing the cantilever/stylus of the cartridge.

In both photographs below, you get the best view of the cross section of the ring and how it is machined.

Clearaudio are one of the top arm manufacturers as well, and they produce the well known linear arm "Souther TQi" and the "Souther reference".

Thick & short...
Thick & short...
Thick & short...
Thick & short...
The idea of a parallel arm is more accurate if you keep things simple and if you are patient enough to calibrate the arm correctly.

One of the caveats of this arm is the small length of it (I mean the real arm slipping on the trail). The disadvantage is the fact that with a wavy surface of a record the VTA is changing more than in other arms, with the result of producing a kind of dizzy sounding effect on a bad vinyl surface. Off course, small length is advantageous in other aspects such as rigidity and small weight - but you can not have it all ...

That was a strong motive for Clearaudio to produce such a ring because using only a clamp, fixes the problem for the one side of a curved record, but what about if you put it the other way round ??.

Comments

It is made of a large diameter stainless steel (antimagnetic and that is obvious) and presumably, is fitted on the Clearaudio platters but it can be used in other platters as well, if you stop the platter and center it very carefully. It's weight is about 1.6 Kgs and it can not be used in light platters or platters with soft suspension (if you own a Linn, forget it).

Mainly it can be used in heavy platters with no suspension but the disadvantage is that you have to stop the platter and center it, and you know that heavy exotic platters are usually turning no stop, at least during a daily usage. Please, unless you own a Clearaudio platter, you have to be very careful, since an off-centerd ring on a well-calibrated platter from the manufacturer may produce strange results. Pay also attention to small rpm variations when you use it...

It can be used with no problem on my aas gabriel platter which is super heavy (needs careful centring though!!) and it's suspension is very hard (sitting on a big circular magnet). I suppose it can be used on a Verdier platter as well, but I keep my fingers crossed.

I did not hear much of a sound difference, using a flat HQ. record but with a curved one, the acoustic result was obvious. Sound was coming more strong and vivid with the sense of better control. Results could have been even better (as I expected because the idea is thrilling), if the ring configuration was machined according to my platter diameter, or to anyone's platter, and the centring of the ring was obsolete.
  • For Clearaudio pick-up owners who own also the linear arm and possess a lot of these old beloved records, this accessory is a must.
  • For heavy platter owners, with the Clearaudio linear arm and if you solve the problem of centring, you have to think about it if you have a lot of these records.
  • For the rest, you take your chances .... given the fact that it is not a cheap accessory ... (700 $US).
  • Always, always, give priority to a good record clamp first and then, think about this ring ... Use them both in bad records.
Music program highlights:
  • Jazz at the Pownshop (Proprius, prop 7778-79)
  • JANACEK "Fanfares" from Sinfonietta Lachian Dances Taras Bulba (CzStPh/Serebrier, Ref. Rec. RR-65)
  • CANTATE DOMINO (Proprius, prop 7762)
  • CAVALLI "La Galisto" (Glyndebourne Fes.Op.Ch - LPO/Leppard, Argo ZNF 11-12)
System:
  • Genesis 300/301 - Rowland 8T amplifier - "Consummate" line preamp. (with 450W ultra fast p.su.) - DACT CT100 phono module (custom silver wired with 550W dual ultra fast p.su.) - aas gabriel turntable mod. - insider reference wood on Souther linear arm mod.
  • Wiring: interconnects: DARA custom silver cables (XLR), sp. cables: Nordost "SPM"
  • Power cables: Xaitas "black signature" (all).
  • Electrical install.: 2X35A dedicated power lines + V4 & V3 power isolators.
DIY Custom disc-'o'-ring for heavy plattersdesigned by Christos P. Skaloumbakas for his aas gabriel platter / 11 Jul 01
Presentation

disc-'o'-ring & clamp sitting on the platter, ooups!! I forgot the record...
disc-'o'-ring & clamp sitting on the platter, ooups!! I forgot the record...
First of all I want to emphasise the following:

Owners of turntables with light platters (lighter than 10 Kg) and/or with soft suspension, do not waste your time reading this.

This DIY apparatus (as well as the Clearaudio one), having a weight of 1600gr, can be applied to heavy platters such as aas gabriel, Acoustic signature, Aura, Avid, Kuzma, Pluto, SPJ, Strato, Stratosphere, Symphonic Line, Teres, Verdier, VYGER etc.

Red vinyl to impress you!!
Red vinyl to impress you!!
Since I tried and tested the record ring made by Clearaudio and my friend Robert Suchy, I couldn't get it off my mind.

It is really a great idea and in fact for my platter which is very heavy and also there is no bearing seat (it is magnetically suspended), it was like this idea was intended for me. I also have a lot of records and some of my beloved ones are old and not exactly flat, thing that my Souther arm is not very happy about...(arm system needs to be lowered though, due to platter-chassis clearance reduction of 1mm., when the ring is on, due to platter's weight increase).

Starts reading the groove...
Starts reading the groove...
Long & thin... This is better!
Long & thin... This is better!
Easily centered as it slips down by its own weight!!
Easily centered as it slips down by its own weight!!
Soft pads have been placed around the inside perimeter for easy sliding down on the record!
Soft pads have been placed around the inside perimeter for easy sliding down on the record!
Unfortunately, the Clearaudio ring didn't work for my platter - plain and simple geometry...

I am not that bad in designing things so, since the idea was applicable, I made my own ring, called disc-'o'-ring, according to my platter outer diameter and a lot of clever ideas have been applied to this ring - from now on you can call me a DIY person!!!

(in fact, from Clearaudio & Merril, before them, I kept only the principle which is "...ring having a thin lip that grabs approximately half of the record's lead-in groove. This lip has to be thin enough to clear the outer bottom edge of the cartridge as it plays on the lead-in groove of the record...".)

Principles of the construction are the following:

Long & thin... This is better!
Long & thin... This is better!
Flang configuration to put your fingers undernieth and easily lift it up while turning!
Flang configuration to put your fingers undernieth and easily lift it up while turning!
First is the source material, which is not a solid (massif) piece, but a thick brass ring (difficult to find but I have my sources...)

Second is the geometry, that is the ring's inside diameter should be slightly larger than the outer diameter of the platter so that the ring can be easily centerd.

Third is the configuration and I preferred a thinner but taller ring (keeping the same more or less final weight of 1.6Kg), compared to the Clearaudio one. The logic behind this is that the center of weight is low, so you do not have problems when turning...

Forth is the material off course. Brass is a material I like acoustically, it is antimagnetic (crucial!!) and it is easily and comfortably machined...

Fifth is the ability of the owner to put it on and lift it up, without having to stop the platter (and not harm it at the same time!!). This is done by:
(a) having a conical configuration at the bottom of the ring (it doesn't show in the photograph on the right) to work as a guide and
(b) putting some soft and thin pads at the inner perimeter of the ring (8 or 16 symmetrically around the inner perimeter) so that the ring slides down very comfortably no metal to platter contact is achieved and it is automatically centerd!!
The same happens when you lift the ring up.

Sixth is the price, which for disc-'o'-ring was almost half, compared to the Clearaudio one!!!

(photographs shown, are taken before the ring is electro statically covered with chromium finish film)

Listening report

"Burn-in" is a term not applicable for disc-'o'-ring, so I will get straight to the point.

If you recall, during my listening experience of the Clearaudio ring, I commented that I got some improvement with that thing, using wrapped records. Well, with this one, I got fantastic sound improvements, even with flat records even with HQ180gr records!! It is boring folks, every time I make an improvement, I think, well, this is it..., but it seems there is always room for better and better.

I made use of the same record selection as before, but with this one, music became more natural, flow was completely grain less, images more realistic, depth and especially width more extended, voice more human and last but not least bass more tight and concentrated.

This ring, due to it's design, becomes one with the platter and not only flattens out the record but also bonds it to the platter adding perfectly centerd weight and inertia to the system as well.

Imagine a platter with a uniformly spread weight of 10 Kg. This weight as it rotates, at 33.33 RPM for example, produces a rotational inertia or rotational energy of 3.46 Kgxm2xrpm. Add to that mass the 1.6 Kg of the ring which eventually is rotating with the same RPM as the platter. Due to the fact that its weight is accumulated around the outer perimeter of the platter, although only being 16 % of the platter's mass, is producing 1.16 Kgxm2xrpm, an additional 33 % of rotational energy...

I say these because I try to explain how on earth could be such a sound difference... Try to imagine the analogue of driving a Ferrari on a country road where everything is moving and suddenly entering on a highway and energizing the turbo charge as well!!

I think I will make life a little bit more inconvenient for me (not much...) but I am going to make use of this ring on every record I put on the platter. To me, disc-'o'-ring is the best accessory money can buy!!!

System:
In case you want to order:

For your info, this is a custom order apparatus, manufactured according to your specific platter OD measurement, within 1/10mm tolerance. Estimated cost is 500 € + 60-90 € UPS mail according to destination...

Please, complete the 5 questions in this Disc-O-Ring template
Please, complete the 5 questions in this Disc-O-Ring template
Enlarge and save the picture on the right. Fill-in the required info and send them @ president@aca.gr (a close-up digital photograph of your platter might be helpful in case of 'difficult' profiles...):
  1. Platter's max. OD = ???.? mm. (e.g. 304.2 mm., but MUST BE more than LP's OD = 303 mm.)
  2. Available platter's thickness = ??.? mm. (thickness that is free to be covered with Disc-O-Ring, e.g. 24.8 mm.)
  3. Horizontal clearance from platter = ??.? mm. (clearance that is not blocked with anything - arm-base, motor housing etc. - during rotation, e.g. 12.3 mm.)
  4. Record mat's thickness = ?.? mm. (if there is none put 0, e.g. 1.9 mm.)
  5. In case of larger than 1 mm. deformation at platter's top perimeter, please send profile details, or send a scetch...

If you are a DIY person and you want to have some more ideas, visit the Teres turntable DIY project web-site. If you are specifically interested in record clamping, you may go straight to (29/Jan/00 - 31/Jan/00) & (2/Feb/00 - 9/Sep/00), e-mail digests.

Strobo from AAA is also shown...
Strobo from AAA is also shown...
Page follow-up... (info entered on 20 August 2008)

Recently, I have made the ring more functional, adding a 33/45 (@ 50 Hz) strobe at its periphery, to monitor the platter's angular velocity @ real conditions (while reading the groove...). It is nothing fancy, just a strap from a photographic paper, but extremelly accurate!

You may download it here!